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Giorgio Vasari
Self-Portrait
mk52
1566-8
Oil on wood
100.5x80cm
Uffizi,Florence
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Giorgio Vasari
The Immaculate Conception
mk67
Oil on panel
22 13/16x15 3/4in
Uffizi,Gallery
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Giorgio Vasari
Portrait of Alessandro de' Medici
mk67
Oil on panel
61 13/16x44 7/8in
Uffizi
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Giorgio Vasari
The Temptation of St.Jerome
mk67
Oil on panel
66 9/16x48 7/16in
Pitti,Palatine Gallery.
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Giorgio Vasari
Portrait of Lorenzo the Magnificent
mk67
Oil on panel
35 7/16x28 3/8in
Uffizi,Gallery
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Giorgio Vasari
Taking of Pisa
mk68
Fresco,
Florence,Palazzo Vecchio,
Salone del Cinquecento
1563-1565
Italy
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Giorgio Vasari
Self-Portrait
mk68
Oil on wood
39 1/2"x31 1/2"
Florence,Uffizi,
1566-1568
Italy
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Giorgio Vasari
Recreation by our Gallery
mk79
About 1558
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Giorgio Vasari
Sala di Clement VII
mk83
Palazzo Vecchio
Florence
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Giorgio Vasari
Portrat of Lorenzo de Medici
mk137
1533 oils on linen 90x72cm Galleria deglI Uffizi, Florence
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Giorgio Vasari
The Immaculate one Concepcion
mk166
1541
I Wave on board of wood
58x40cm Uffizi, Florence
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Giorgio Vasari
The Anunciacion
mk166
Around the second half of the Century XVI Painting on wood 216x166cm
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Giorgio Vasari
Perseus and Andromeda
mk176
1570-72
Oil on canvas
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Giorgio Vasari
The Gastmabl of the Bl Gregor
mk186
around 1540
Bologna, Pinacoteca Nazionale
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Giorgio Vasari
la pittura
1542
se
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Giorgio Vasari
The Garden of Gethsemane
Date ca. 1570(1570)
Medium Oil on canvas
Dimensions 143.5 x 127 cm (56.5 x 50 in)
cjr
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Giorgio Vasari
Vulcan's Forge
Date 1567-68
Medium Oil on canvas
Dimensions 38 x 28 cm
cjr
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Giorgio Vasari
Vulcans Forge
1567-68
Medium Oil on canvas <-?->Oil on copper
cyf
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Giorgio Vasari
The Annunciation
between 1564(1564) and 1567(1567)
Medium oil on panel
cyf
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Giorgio Vasari
Perseus and Andromeda
between 1570(1570) and 1572(1572)
Medium oil on slate
cyf
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| Giorgio Vasari
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1511-74
Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
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